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Short&Sweet Toronto Returns


Friday October 10, 2025
Doors open at 7:30 PM, Performances start at 8:00 PM
at Revival Toronto, 783 College Street
Followed by a DJ dance party until late
Revival Toronto, 783 College St, Toronto, ON M6G 1C5 (VIEW MAP)

Accessibility Info: Revival Event Venue is not a fully physically accessible space. Entry requires one step at the front door, followed by six interior steps leading to the main venue. Each step is wooden with a rubber tread, with railings on both sides and in the centre. An accessible washroom is located to the left of the stage. If you require assistance, please contact us in advance at info@tdt.org.


The iconic performance party returns!

The epic Short&Sweet party returns this fall as part of TDT’s 2025/26 season. Originally created in Montreal by Andrew Tay and Sasha Kleinplatz, Short&Sweet brings together an impressive roster of 25+ artists from wildly different styles and aesthetics, giving them carte blanche to present anything they desire… with only three minutes on the clock.

If they go over? The timekeeper cuts them off – instantly!

Expect bold risks, fresh experiments, and the pure adrenaline of seeing what can be accomplished in 180 seconds. After the performances, the night transforms into a full-on dance floor takeover.

Let’s kick off TDT’s 2025/26 season together with this unforgettable night!

Accessibility Information: Please note that Revival Event Venue is not a fully physically accessible space. Entry requires one step at the front door, followed by six interior steps leading to the main venue. Each step is wooden with a rubber tread, with railings on both sides and in the centre. An accessible washroom is located to the left of the stage. If you require assistance, please contact us in advance at info@tdt.org.

Revival Event Venue – front door
Revival Event Venue – steps to main space

Featuring Artists

Photo by Wynne Neilly.

Celia Green

Celia Green’s practice includes choreographing, directing, writing and performance. They create highly physical, intimate performances that explore bodily sensation, mess, and the pursuit of freedom. Grounded in care and rigor, their collaborative practice and creations draw on their experiences as a queer, trans-masculine person and their background in care work with children and families. Celia’s work has been presented & supported by OFFTA, The SummerWorks Festival, Dancemakers, English Theatre Berlin, the Toronto Dance Love-In, and The Rhubarb Festival. Celia has completed residencies at LA SERRE, Buddies in Bad Times Theatre, and Toronto Dance Theatre. They recently presented their solo work, Jason, to sold-out audiences at the 2025 SummerWorks Festival. Find them online @boybitch96 / https://www.celiagreen.net/

Devon Snell

Devon Snell (He/Him) is a Toronto contemporary dance artist. Has danced for TDT and a number of other Canadian choreographers. He is currently not practicing dance, working on anything new,  as he feels stuck. Therefore I guess life? Enjoy! (That’s not suppose to be funny or clever, I just hate bios and talking about myself. Who cares!)

Sofi Gudiño

About Sofi: Sofi Gudiño (they/them) is a dance artist, drag king and community organizer based in Toronto. Raised in flamenco and established in contemporary dance, Sofi’s work is marked by emotional intensity and choreographic risk. Gudiño began flamenco studies as a child at the Academy of Spanish Dance with Esmeralda Enrique, and has since continued in Spain with Úrsula López, Alicia Márquez, Pastora Galván, Lorena Franco and many others. In 2014, Sofi founded the Inamorata Dance Collective as a site to explore flamenco outside of its traditional presentations. As a choreographer, Gudiño has enjoyed residencies at The Toronto Dance Theatre,  Dancemakers, and the National Ballet of Canada’s Open Space, with choreographic premieres including Nuit Blanche, Pride, and with their award nominated piece, Picaza, in Toronto Fringe. Sofi was nominated in the 2023 Johanna Performing Arts Prizes for their recognized impact on the field, and assumed the role of Festival Director at Dusk Dances in 2024.

About Ricardo: RRRicardo la Dulce (he/him) is a flamenco drag king, Mexican only-son and soon to be winner of your corazón de melón. Ricardo is inspired by flamboyant male birds of the tropics, and is a helpless flirt determined to show off his brightest feathers in the hopes of becoming your next crush. Ricardo first stepped on stage in Citadel + Compagnie’s Spring Mix 2024 as PAJAROJITO, with support from National Ballet of Canada’s Open Space programme. Ricardo has also appeared at Les Femmes Fatales with Irmita la Dulce, brought his flamenco trio to Guelph Dance Festival 2025 and is preparing another excerpt of his solo show to share at Caminos Festival in Toronto on October 4. Prepare to be serenaded. 

Photo by Attila Ataner

Tina Fushell

Tina Fushell (Newfoundlander, lover of art, dance, flowers, and a good laugh) lives and works in Tkaronto/Toronto.

As a performer, Tina has collaborated with a wide range of choreographers, including Valerie Calam, Ame Henderson, Christopher House, and Darryl Tracy. She has presented her own work at festivals across Ontario and beyond, including Dusk Dances, Porch View Dances, the Festival of New Dance, Dance: Made in Canada, PS: we are all here, LEGS and SummerWorks.

Tina has served in a variety of artistic roles, from co-artistic director of the Toronto Dance Community Love-In, to curatorial associate at SummerWorks. Recently, she performed in Phalanx: Revival a reimagining of the 1998 DNA Theatre piece Phalanx as part of SummerWorks, and shared her work at Ignite Gallery as part of Moving Materials: Questions in Relation exhibition curated by lo bil.

Outside of her artistic practice, Tina works as a florist.

Tyler Quincy Yan

Tyler Quincy Yan (he/him) is a 26-year-old dancer, choreographer, and educator based in Toronto. His training spans street styles of punking/whacking/waacking, hip-hop, and house, and choreography styles best labelled as commercial and jazz funk.

Since moving to Toronto in 2021, Tyler has shared as an educator and organizer in the Whacking/Waacking community while maintaining his craft by battling nationally and internationally—winning “Street Players” and “Fleur It!” waacking battles in Toronto, and placing in Supernature Montréal, Vancouver Street Dance Festival, and Red Bull DYS Canada.

His work has extended to the commercial industry and dance theatre, with recent work including “Bodies of Nature” by KINAJ, “@profile” with Meaningful Movement, and the choreographic process of “HUMAN” by Hanna Kiel.

He considers his artistry as varied in movement and music, but always defined by a character-driven, whimsical approach to making memorable moments—whether through unexpected humour, nostalgia, or just excitement over good dancing!

Ashley 'Colours' Perez

Ashley Colours Perez she/her is the co-artistic director of Mix Mix Dance Collective. Mix Mix has showcased work at Toronto Fringe (2013/2017), Next Stage Theatre Festival (2014), Fall For Dance North (2017), Contemporaneity 3.0 (2019), and represented Canada at the Jeux de la Francophonie (2017) in Abidjan. Ashley was awarded the 2018 Dora Mavor Moore Award for Outstanding Performance, Ensemble in the Dance Division for Floor’d presented by Holla Jazz in 2018. Since the pandemic, Ashley has completed her MA in Dance at York University, a co-collaboration with Toronto Dance Theatre’s Magic of Assembly (2023). She recently co-produced and performed her first solo work, Generating Danse in Montreal, commissioned by Danse Cité (2024). Ashley will receive the Sandra Faire Next Generation Award this November in Winnipeg, highlighting the remarkable legacies of the Prairie region, awarded by Dance Collection Danse. 

Johnathan Morin

Johnathan Morin is a 34 year old indigenous (Nehiyaw) tap dancer hailing from Treaty 6 Edmonton, Alberta. Now residing in Treaty 13 Toronto Ontario he is a force in the tap dance community and known across the country and around the world. A Dora Award Nominee, Johnathan co-produces and co directs Rhythm and Sound Dance Company alongside Cori Giannotta and also runs his own drop in classes in Toronto. His passion for the dance has brought him across the country as well as internationally as a performer and educator. Some of his accolades include Tap Ahead Festival in Düsseldorf Germany, TD Toronto Jazz Festival, Sarah Reich’s Tap Music Project, Vancouver International Tap Festival, and the Toronto International Tap Festival.

With his talent, dedication, and impressive list of accomplishments, Johnathan Morin is sure to continue making rhythmic waves in the world of Canadian tap dance for years to come.

Photo by Drew Berry from 'Lasterday’ lifeDUET film by Hanna Kiel

Karen and Allen Kaeja

Karen Kaeja (she/her) performs, makes dances and films, mentors, and builds creative bridges between professionals and community movers. She has choreographed over 75 stage and site works, pioneered Porch View Dances and is Co-Artistic Director of Kaeja d’Dance with Allen Kaeja. Her creations, teaching and publication contributions, are steeped in the joy and implications of touch and balance. Karen’s international practice spans touring, commissions, collaborations, residencies, choreography, and performance. Among her awards are the George Luscombe Mentorship Award, Dance Ontario Lifetime Achievement Award, CDA “I Love Dance” Community Award and seven Dora nominations, winning one. You can find Karen in The Canadian Who’s Who or at www.kaeja.org.

Allen Kaeja is an internationally recognized and award-winning Choreographer and Dance Film Director. As the child of a refugee, Allen has dedicated more than three decades to Holocaust-inspired art, with 210 stage works and 35 choreographed or directed films. Co-Artistic Director of Kaeja d’Dance with Karen Kaeja, Allen’s Kaeja Elevations and works have been featured in commercials, films and festivals around the world. He has received numerous national and international commissions, teaches Kaeja Elevations and Dance Film master classes worldwide and continues to tour, with Karen, their lifeDUETs program throughout the world. www.kaeja.org

Keith Cole

For more information about Keith Cole… just ask around.

Natasha “Courage” Bacchus

Natasha “Courage” Bacchus is a very active multidisciplinary artist, former three times gold medallist Deaf Olympian Sprinter. Her theatre /TV and Film performances include Shaw Host Talk (2014), ‘The Black Drum’ with Soulpepper Theatre (2019) in Toronto and France, ‘The Two Natasha’s’ (2020) comedy performed in art festivals, ‘21 Black Futures’ produced by Obsidian Theatre and CBC Arts, (2021), mini-TV series ‘The Coroner’ season four on Netflix (2022). She has participated in cabaret events including the 2019/2024 ASL Deaf Drag Performance, Rainbow Senior Showcase, and  Criptonite at Buddies in Bad Times Theatre in Toronto, Ontario.

Her areas of expertise include interdisciplinary visual artist, art accessibility consultant Deaf LGBTQ/racialized marginalized Indigenous, Black, People of colour, Sign Language Translation for theatre, Interpretation and Promotional vlogs, Panellist and presenter for workshops, emerging art curator, and activist for Indigenous and Black Deaf art community to expand Indigenous and Black Deaf artists representation.

Courage has participated as an art collaborator with numerous theatre and film productions focusing on breaking down barriers for Indigenous and Black Deaf Artists in Canada. 

She has participated in Leelee Oluwatoyosi Eko Davis and Donna Michelle Bernard’s method of social justice community. Natasha was one of the winners of Canada’s Top 100 Black Women to Watch by the Canada International Black Women Event (CIBWE) 2019. 

She continues her journey of self-discovery in her art.

Nikki Huang

Nikki Huang is a Taiwanese percussionist who completed her Master’s in Percussion Performance at the University of Toronto, where she also worked as a research assistant in the Technology and Performance Integration Lab. A passionate storyteller, she explores character and narrative through performance and thrives in collaborative environments. Her work spans original compositions, jazz vibraphone, children’s musical theatre, and interdisciplinary workshops. She has performed with Women From Space, Coexisdance, Esprit Orchestra, New Music Concerts, and The Happenstancers. Nikki’s accolades include the 2023 LCO Concerto Competition win, a 2023 Travel Grant from the National Culture and Arts Foundation, the 2024 Carolyn and Robert Lake Graduating Award, and a 2024 Travel Grant from the University of Toronto. She was an artist-in-residence at the Banff Centre and part of the Performer-Composer Residency at the Westben Centre in July 2024. In 2023, she joined the ULYSSES Ensemble, performing with Ensemble Intercontemporain during the ULYSSES Platform for Young Musicians.

Photo by Aidan Tooth Photography

Ranganathan Rajan

Ranganathan Rajan (He/Him) is originally from India and is currently based in Tkaronto. He is a performer and choreographer in contemporary dance, working inately with ideas of stress, resilience, and strength in the body through object work, movement, and mixed media. Ranganathan graduated from the Professional Training Program at Dance Arts Institute Canada (2025) and has completed a Diploma in Movement Art and Mixed Media from Attakkalari Center of Movement Arts in Bangalore, India (2021). Ranganathan believes in socially engaged acts involving people as the medium and focuses on participation and collaboration.

Photo by Robert Gilbert Photography

Shona Kiyama (木山 晶南)

Shona Kiyama (木山 晶南, she/her) is a Japanese-Canadian movement artist from what is colonially considered Burnaby, BC. Known for her versatility and dedication, Shona’s movement vocabulary spans various styles such as contemporary, tap, concert and vernacular jazz, ballet, street styles, modern (Limon and Graham), West African, and musical theater. Kiyama was a co-choreographer and performer in the film Something To Forget Me By, directed by Erin Lum and Corrine Langmuir, which received the Audience Choice Award at the Festival of Recorded Movement in 2022. She graduated from Toronto Metropolitan University’s Performance Dance Program with honours in 2024, and has since worked with companies such as Human Body Expression, Transcen|dance Project, Kaeja d’Dance, and the Parahumans.

Photo by Daniel Dorta

 xLq

 xLq is a POP ART performance duo based in Toronto. xLq is STARLIGHT and Maddie Bautista’s twin drag persona, born in 2015. We are party makers, cabaret hosts, experimental live art innovators and creators of interactive theatrical playgrounds that have toured Canada.

We recently premiered our interactive musical gameshow, ARE YOU THE ONE?, at Downstage Theatre in Calgary to a sold out run. Previous large-scale works include 4inXchange, the business meeting for 4 audience members centred around $1000 cash. 

xLq’s parties include WISHING WELL, a witchy dancefloor ritual, which was curated at Buddies in Bad Times for Nuit Blanche 2024 and 2025. 

Follow @xLqpopart on Instagram for all the latest parties and events.

Карина Казнова

Born and raised in Ukraine, Karyna Kaznova is a Toronto-based dancer, choreographer, and teacher whose work bridges technique and experimentation. With over nine years of experience, she has guided thousands of students internationally, nurturing creativity through projects like her “Free Movement” laboratory and classes at studios including Run the Flex, Studio North, MyWay Dance Centre, TopOne Dance Centre, and at camps such as UA21, Pull Up 2.0.

Her performance credits include concerts and music videos with artists like Nadia Dorofeeva, Tina Karol, and director Tanu Muino. Her journey has taken her from international competitions and workshops to large-scale showcases, where she continues to share her artistry.

Rooted in Hip-Hop, Contemporary, and Commercial dance, Karyna’s work celebrates freedom of expression, connection, and transformation through movement.

Jenn Goodwin

Jenn Goodwin is a Tkaronto based dance artist, curator and programmer. Much of her practice focuses on dismantling barriers to art for both artists and publics. Her work and collaborations often explore the play, power, and politics of the body in motion, the feminization of public space, women’s presence, absence, and resilience, and the choreographic of the everyday. Goodwin has been making dance works for over 30 years and has made multiple works for public space and is currently exploring relationships of the choreographic to sound, song writing tools and concerts.

Kate Nankervis

Kate Nankervis is a recognized dancer, choreographer, teacher, and curator whose practice spans collaboration, movement research, performance, installation, and exhibition. Her work intertwines dance with care, lived experience, and deep connections to nature as a collaborative guide.
Kate has received the UNESCO Performing Arts Award (2008), the Ontario Arts Council’s Chalmers Fellowship in Dance Curation (2016), and the danceWEB Scholarship at ImpulsTanz Vienna (2019). For over 15 years, she has performed and collaborated with artists across Canada and internationally.
Kate’s curatorial practice embraces lo-fi, do-it-together communities. She co-directed Toronto Dance Community Love-In (2010–19), hub14 art+performance(2013–16), fostering spaces that nurture artistic development, movement research, and creation within experimental dance and performance. Based in Tkaronto, with roots in Northern Ontario, Kate also works and studies in Berlin. www.katenankervis.com

Photo by Kouki Takeyasu

Megumi Kokuba

Megumi Kokuba, born in Okinawa, the southernmost island of Japan, began ballet at two and later discovered contemporary dance. She moved to Toronto to further her training and became a company dancer with the Toronto Dance Theatre. Her artistry is rooted in layering information in the body, balancing precision with meaning while embodying strength and vulnerability. Years of working with diverse choreographers have shaped her collaborative approach, emphasizing depth, process, and presence. Committed to environmental advocacy, she prioritizes listening, holding space, and active communication as key elements of her practice.

Photo by Kendra Epik

Kéïta Fournier-Pelletier

Kéïta Fournier-Pelletier (she/they) is a queer, Métis, Franco-Manitoban artist from Winnipeg currently based in Tkaronto. They are continuously discovering what these intersecting identities mean to them, and the role they play in their artistic endeavours. Kéïta is a graduate from Dance Arts Institute (formerly the School of Toronto Dance Theatre), and holds a BFA in Dance from York University. Her work has been presented in Toronto, Hamilton, and Kitchener. As a collaborator she has worked with national and international choreographers and local theatre companies. Recent credits include touring with Métis dance company, V’ni Dansi across BC, and performing in Heidi’s Strauss’ newest work, tender. She is passionate about learning and has recently attended a 5-week Flying Low & Passing Through intensive with David Zambrano, in Brussels, Belgium (both in 2024 and 2025). She hopes to continue to develop these techniques and incorporate them into her teaching practice.

Photo by Hayley Hruska

Claude DePussy

Claude is a gender-bending clowntemporary dancer, a whimsy burlesque and cabaret creature, serving equal parts camp, glamour, and irreverence. With roots in clowning, physical theatre, drag, and commedia dell’arte, Claude weaves satire and sensuality into every act, teasing audiences with a wink, a whip-smart punchline, and a whole lot of spectacle.

Claude’s fashion, glamour, and extravagance draw heavily from the New Romantics era. On stage, they open portals to altered states, channeling their deepest unapologetic foolish desires, curiosities, and spontaneous magic. With a fearless physicality and presence, Claude is unafraid to flop, fail, or flail—and hopes to give audiences permission to do the same.

They blur the line between the absurd and the erotic, the ridiculous and the regal. Whether perched at a bar in Elizabethan ruffles or strutting across the stage in clown couture, Claude invites audiences to laugh, lust, and lean into the deliciously strange.

Purawai Vyas

Purawai Vyas is a dancer, choreographer, and teacher who has trained in Bharatanatyam for over 20 years under Guru Lata Pada at Sampradaya Dance Academy. Alongside her classical training, she studied ballet, contemporary dance, and Kalarippayattu during her undergraduate career, earning an Honours BFA in Dance with a Honours BSc in Biomedical Sciences from York University. She has performed in acclaimed productions such as Svāhā!, Sankhya, and Mandala, which toured across seven Indian cities. Her work has been presented at leading festivals in Toronto including Grit Short Dances Festival, Night Shift and Common Ground Festival. As Founder and Artistic Director of Shvas Dance Company, Purawai is passionate about growing new possibilities for Indian classical and folk dance, where tradition and classicism meet contemporary expression.

Solange Alexander aka Solar

Solange Alexander (she/her) is a 22-year-old Black transwoman and performer from Scarborough making her mark in the ballroom and vogue scene. With a style that fuses elegance, precision, and storytelling, she uses movement as both celebration and resistance—bringing visibility and power to every stage she graces.

Her performances have lit up platforms such as Boiler Room, Gay Rights, Precious Cargo, TKBA, fashion shows, and Pride Toronto, showcasing her talent and affirming her place as a voice for queer artistry. For Solange, vogue is more than performance—it is a community, a legacy, and a language of liberation.

At just 22, she is carving out a fearless presence in the worlds of dance, fashion, and queer culture, embodying both strength and vulnerability. Through her artistry, Solange Alexander continues to inspire others to embrace authenticity, embody resilience, and celebrate the beauty of transformation.

Brayden Cains 2024 headshot Photo by McKenzie James

Brayden Cairns

Brayden Jamil Cairns (he/they) is a Toronto-based performance artist, costume designer, and long time lover. Bray left rural Ontario in 2015 to train at Toronto Metropolitan University’s School of Performance. Since his training, Bray has worked with the likes of Alyssa Martin, Rodney Diverlus and many of his peers in collaborative processes. Bray is interested in movement that can be enjoyed by people from all walks of life. He binds dance and lived experience to create tantalizing works of art; combining media such as writing and film to create a living collage. Many of these ideas come from a powerful need to uplift the queer and BIPOC communities. Bray will often be found researching what it is to feel pleasure and what can come from self-exploration.

Roberto Soria 2024 headshot Photo by McKenzie James

Roberto Soria

Roberto is the new era no longer restricted by time she walks the earth with patience noticing how all is changing he doesn’t interfere she listens he watches ready for nothing yet it all shows its true colours, the sun and the moon have her life and it’s the random that keeps him alive.

I’m here
Locked in
Sometimes

I am Roberto Soria, and as a seeker of pleasure it only makes sense that movement has been a part of my life for so many years.

i am:
a raver
a dj/creator of noise
a lover
A poet
a photographer/filmmaker
a sagittarius
and friendly so if you see me in the street come say hi!

Kayleigh Kennedy

Kayleigh Kennedy (she/they) is a Queer, Neurodivergent, and disabled artist and advocate whose work centers on amplifying the voices of the blind, Deaf, Deafblind, and broader disabled communities. Born in Oromocto, New Brunswick and raised in Brockville, Ontario, Kayleigh brings deep empathy and lived experience to both her advocacy and artistic practice.

With roots in dance and theatre from a young age, Kayleigh was forced to step away from dancing over a decade ago due to chronic illness—but never left the stage entirely. Since then, she has performed internationally with a Deaf drama troupe, including in Colombia and as part of the first fully Deaf cast to appear at the Edinburgh Fringe Festival. Her performances center Deaf and disabled narratives, using art as a tool to challenge ableism and celebrate community.

This marks Kayleigh’s return to dance after more than ten years. For Kayleigh, dance is not about perfection—it’s about expression, connection, and creating space where all bodies can move, be seen, and be celebrated, and show that dance belongs to everyone—regardless of physical limitations.

Whether performing, advocating, or creating space for others, Kayleigh is committed to ensuring disabled voices are not only heard, but celebrated.

Viktor Kee

Viktor is a classical Violist singer song writer who likes to play from the soul, music has been everything to them since they were little. Viktor loves to blur the lines of classical and the abstract and having a conversation through music and movement. Viktor believes that silence is just as important as sound.

Millina Fletch Fletcher 2024 headshot Photo by McKenzie James

Millina 'Fletch' Fletcher

Millina Fletcher, AKA Fletch (any pronouns) is a Tkaronto based dance artist who infuses her queer and Barbadian/French roots in both her creative work and her everyday life. Fletch is a well versed, expressive, outgoing and open minded individual who sees the world as an abundant site for colour and creativity. She identifies as a dancer, choreographer, music enthusiast, and an extrovert who enjoys expressing her identity and queerness through dance and fashion. Fletch recently obtained her Bachelors of Fine Arts in Performance Dance at Toronto Metropolitan University (formerly known as Ryerson). She is open, audacious, and always eager to learn about new ways to create impactful art through the medium of her greatest passion, movement.

Photo by Krista Newey

Fran Chudnoff

Fran (FACE RIDER) also known as Franz (they/them), is a millennial, with a BFA in performance, and paying rent as a multidisciplinary artist. They are a dancer, dance maker, video artist, photographer, and a beginner at 3D sculpting and digital illustration. Across mediums, their work is in conversation with post internet aesthetics, gender deviance, and shaping a “social aura” through aspirational imagery. Their most personal and urgent project these days is sharing as many meals as possible with their Lola, Yolanda.

In 2021, Fran completed a 3-year Emerging Artist residency at Dancemakers Centre for Creation with Driftnote where together they began the initial music and audio research for – “FACE RIDER”. Fran’s and Driftnote also collaborated on the film “ALL THINGS GROW” in 2018, which is an official selection in the Regards Hybrides’ permanent Collection of Canadian screendance works. It is one of fifty-five short and long films produced between 1980 and 2020 that represent a wide range of cinechoreographic approaches.

Fran is currently performing and touring in Andrew Tay and Stephen Thompson’s “MAKE BANANA CRY” – a subversive runway featuring a parade of body politics prepared to trouble the Western gaze.

Jamari Whittaker

Jamari Whittaker, known as “Rhino”, is a prominent Toronto-based street dancer passionate in krumping. His engaging performances filled with character and technique garner widespread acclaim, even recently landing himself as the 2023 Canadian champion of Red Bull Dance Your Style. Rhino is also rooted in community, where he teaches krump dance and culture through workshops and classes throughout the GTA.

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