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EntryWaves


Fall/Winter 2024 Winchester Street Theatre , 80 Winchester Street, Toronto (VIEW MAP)

Accessibility Info: Unfortunately the Winchester Street Theatre is not currently wheelchair accessible. Full accessibility details: https://tdt.org/your-visit/accessibility/


CanAsian Dance is happy to announce a new partnership with Toronto Dance Theatre (TDT) for the 2024/25 season. EntryWaves is a pilot project open to any artist who identifies as being from the Asian Diaspora and who could benefit from free rehearsal space and time to work on their project or develop their practice.

We encourage artists, from emerging to established, who practice traditional forms and lineages, contemporary and experimental approaches, street dance forms and everything in between to apply! 

Up to 6 artists will be offered, week long, half day residencies in the studio spaces of the Winchester Street Theatre during the Fall/Winter of 2024.

CanAsian and TDT are dedicated to bringing together Dance and community through creative and easy to participate programs that hold value in supporting critical artistic conversations and exploratory stages of new works. This is the first of many other partnerships to come as we build our relationship and strengthen solidarity to be able to offer more creative exchanges, knowledge-sharing representation and connection for the Asian Diaspora dance community and the greater dance community at large.

Target Applicants

CanAsian centers the Asian Diaspora dance community.  Asian Diaspora includes and encompasses the whole continent of Asia such as South, East, South East, West, Central Asian Countries as well as the surrounding Pacific Islands.

Applications will be evaluated by a selection committee including CanAsian’s Artistic Lead Angie Cheng and TDT’s Artistic Director Andrew Tay,  based on the artistic interests of the project and the desire to include a range of perspectives and aesthetics in the overall programming, as well as the potential impact on the artist’s work, and feasibility of their artistic goals.

Any questions should be directed to info@tdt.org

In Partnership with

CanAsian Dance

CanAsian Dance’s core values center around inclusivity, diversity, and community empowerment. Its mission is to foster a vibrant and inclusive dance community that celebrates Asian Diaspora community while supporting BIPOC, LGBTQ2S+, and mixed-ability artists. The vision is to be a leading platform for innovative dance creation and collaboration that promotes understanding and appreciation of diverse aesthetics and communities.

What sets CanAsian Dance apart from other organizations is its commitment to intersectionality and grassroots engagement. By prioritizing underrepresented voices and fostering dialogue among diverse art practices, CanAsian creates a space where artists of all backgrounds can thrive and collaborate. This emphasis on inclusivity and community-driven initiatives distinguishes CanAsian as a progressive and forward-thinking dance organization.

2024/25 Artists

Megh Chatterjee

Megh Chatterjee (She/They) is an independent multidisciplinary creator and researcher with over 10+ years of artistic practice. She trained from the age of 3 formally with Bharatanatyam, an Indian classical dance form originated from Tamil Nadu. From her teen years, she found deep expression in the artforms stemming from Hip Hop or Afro-Indo diasporic culture primarily in Breaking, DJing and Dancehall. She started teaching and performing from the age of 14 to fuel her love for dance training. After her Bachelor’s of Engineering, she led a dual life as a technical professional and faculty at The Wooden Stage, Mumbai where she was a full time Aerial and Dance instructor, coach and performer. Her credits include live performances, television and theatre. She has shared the stage with artists like HardKaur, Ash Roy, Salman Khan, Shraddha Kapoor, Sunny Leone and Aparshakti Khurana in India. In Toronto, Megha has completed an internship with The Dance Current Magazine and published a BTS article for Cirque Du Soleil’s production “Volta”. She continues to fuel her passion via active movement research, performance showcases, teaching and battles. She is currently in the developing stages of building a community based progressive theatre project named IndE.Sessions, an experimental arts exploration of Club Styles x RAVE subculture practices. As a lifelong commitment to the Movement Arts, Megh is currently also continuing her training in “Gaudiya Nritya” (a west bengali classical dance) under Rachana Kar, her Guru affiliated with UNESCO art heritage.

A side profile of Miggy, who crouches amidst bushes and white flowers that recede blurrily into the background. Miggy’s fingers gently crawl up from a long-sleeved maroon shirt, over chin and lips, and toward a small ocean of black, wavy hair. The brown skin of Miggy’s cheek is caressed by the palm of a hand, supporting closed eyes that look down in contemplation. Photo by Alvin Collantes Photography

Jose Miguel ‘Miggy’ Esteban

Jose Miguel ‘Miggy’ Esteban is a dance/movement artist and educator based in Tkaronto/Toronto. Miggy’s artistic work develops improvisational practices of navigating mad and queer routes to embody Filipinx remembering and belonging through gestures of (un)rest. Currently a PhD candidate at the Department of Social Justice Education, OISE/University of Toronto, Miggy’s research and teaching is oriented through disability studies, black studies, and dance/performance studies. Influenced by disability arts and culture, black radical traditions, indigenous storytelling, and queer performance, Miggy’s dissertation project engages embodied practices of improvisation to interpret curriculum as a choreographic site for reencountering the narratives that structure the teaching and learning of/through dance. Miggy’s work has been published in Canadian Theatre ReviewChoreographic Practices, Disability Studies QuarterlyFeral Feminisms, Journal for Literary and Cultural Disability Studies, Liminalities: A Journal of Performance StudiesTheatre JournalTOPIA: Canadian Journal of Cultural Studies, and in various edited volumes.

Image Description: A side profile of Miggy, who crouches amidst bushes and white flowers that recede blurrily into the background. Miggy’s fingers gently crawl up from a long-sleeved maroon shirt, over chin and lips, and toward a small ocean of black, wavy hair. The brown skin of Miggy’s cheek is caressed by the palm of a hand, supporting closed eyes that look down in contemplation.

Film still by Henry Mak

Jen Hum

A Toronto based independent dancer, creator and performer, Jen Hum uses her multifaceted background to create performances that seek out the substance that resides behind our life encounters. Her curiosity has resulted in solo projects and opportunities to work with a diverse collection of individuals and groups including Fujiwara Dance Inventions, Tracey Norman Dance, Redsnow Collective, Polynomials, J9 Dance Projects etc. Part of her current focus is creating alongside members of Returning River; an artistic collective dedicated to the exploration of space and place and how they are linked to each members’ cultural background, ancestry, upbringing and present day experiences.
Artist headshot in baseball cap and orange t-shirt. Photo by Drew Barry

Rumi Jeraj

Rumi Jeraj is an Ismailli muslim hailing from Sherwood Park Alberta (the world’s largest hamlet). A Graduate of Toronto Metropolitan University Rumi has worked for dance artists including Hanna Kiel, Daryl Tracy, Maxine Hepner, Heidi Strauss, and Eilish Shin-Culhane. Outside of contemporary dance, Rumi has a practice as a Tap Dancer often collaborating with local Jazz musicians. He aspires to create and be a part of work which mixes forms in order to better tell stories. He believes there is a perfect balance between words, music, and movement which can communicate intellectually, emotionally and viscerally all at once. He aspires to find this state on stage.

Photo by Kendra Epik

Jasmine Liaw

Jasmine Liaw is an emerging interdisciplinary artist, director, and designer in contemporary dance performance, new media art, and experimental film. Bicoastal, she is based in so-called Toronto and Vancouver. Evidenced in collaboration and community, her work leans into the complexities of transcultural narratives intersecting her Hakka diaspora, and queer theories in temporality and ecology. She’s grateful to have presented her work and been in collaboration with artists across so-called Canada and internationally. Select presentations include Museum of Contemporary Art Toronto, The Asian Arts & Culture Trust with Holt Renfrew, Northwest Film Forum, Gallery 44, Vector Festival, Pleasure Dome, Experimental Series – Salt Lake City, Light Moves Festival Ireland, Festival del cinema di Cefalù, MPCAS/Grunt Gallery, Images Festival and more. Select collaborations include adelheid dance projects, Ivetta Kang/Nuit Blanche 2024, Public Visualization Lab/Cornell University, Dias:stories, The Darlings, Aeris Körper, Arts Club, and more. With F-O-R-M Recorded Movement Society’s Technology & Interaction Program, she recently completed a two-year research exhibition project as their inaugural artist-in-residence. Liaw is a recipient of the 2023 Emerging Digital Artists Award presented by EQ Bank and Trinity Square Video for her experimental film work, xīn nī 廖芯妮.

Devanshi Mishra

Devanshi Mishra (she/her) is a multifaceted artist, educator, and arts administrator dedicated to promoting collaboration and diversity in the arts. Trained in Indian classical Kathak and Contemporary dance, she founded Oorja Danceworks, a dance school and company in Chandigarh, India in 2016. Devanshi holds a Post-Graduate Diploma in Business Administration from York University, a BA in Dance from the University of Iowa, USA and a Certificate in Entrepreneurship for Performing Arts.

Her accolades include a National Scholarship for Dance from the Government of India, the Governor’s Award for Outstanding Contribution in Dance (India), and an Arts Residency from the City of Kingston, Ontario. Devanshi also served on the Arts Advisory Committee for the City of Kingston, contributing her expertise to local arts policy. An entrepreneur at heart, Devanshi teaches Kathak and Bollywood dance in the Greater Toronto Area, choreographs commercial projects and performs nationally and internationally.

Photo by Kylie Thompson

Derek Souvannavong

Dora award-nominated artist, Derek Souvannavong is a dance artist based in Tkaronto (Toronto). Souvannavong is a graduate of the Bachelor of Fine Arts Honours Dance Program at York University, where his achievements in choreography and performance were recognized with the Spedding Memorial Scholarship and the Menaka Thakkar Award in World Dance. He has recently premiered solo work “this identity: woven” at Dance:Made in Canada/Fait au Canada, co-created in collaboration with Peggy Baker. Souvannavong has performed in various works by Ballet Creole, Frog in Hand, Rumi Jeraj as well as worked with artists Danny Grossman, Eddie Kastrau, Laurence Lemieux, Tracey Norman, Emily Cheung, Yui Ugai and Newton Moraes. Of Lao heritage, Souvannavong is intrigued by traditional Lao dance forms and wishes to continue exploring relations between Lao dance forms and the western diaspora of contemporary dance, weaving together his Lao heritage into his work.

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